AUTUMN LEAVES MOVIE MOVIE
AUTUMN LEAVES MOVIE FREE

Jason Schwartzman’s Max Fisher adds an edge to prep school sites. As soon as that opening scene rolled in (you watch Max Fischer completing “probably the hardest geometry equation in the world”, but soon realise he’s only dreaming), I just knew I was going to love it. Rushmore may be my favourite Anderson film. Rushmore is “at once arch and earnest, knowing and innocent,” says Matt Zoller Seitz in the book The Wes Anderson Collection. One of the best lines, according to Hitch himself, is when old Edmund Gwen is dragging the body along for the first time and a woman comes up to him on the hill and says: “What seems to be the trouble, Captain?” They say New England leaf viewing is at its finest in Vermont – in fact, Hitchcock’s crew arrived too late to catch autumnal Vermont in its prime, so they were forced to glue fallen leaves back onto the branches. Alfred Hitchcock’s jet black humour plays out beautifully against the fleeting leaves. Several people in the community believe they may be responsible for his accidental death, and adding to the confusion, Harry keeps showing up in all the splendour of rigor mortis at the most embarrassing moments. A little boy playing in the woods discovers the body of a man, who, upon investigation, turns out to be Harry. In the rural countryside of Vermont, on a fall day, three shots are heard. I am very fond of this black comedy of his. “With Harry, I took the melodrama out of the pitch-black night and brought in out in the sunshine,” said Hitchcock.

AUTUMN LEAVES MOVIE MOVIE

And there is also that movie still of Julie Christie, as seen above, which, if it were a painting it would have been entitled to be named “Autumn”, so I had to include the film here. But however beautiful a visual depiction of life on the farm the film may be, I wish it depicted the real significance of the characters, not just show them as romantic lovers. The forces of nature are used to echo the emotional state of the characters, as the narration unfolds under the English autumn sky, on the backdrop of the picturesque rural countryside and an earthy, rusty palate. So here are some of fall’s greatest on-screen moments (these are all examples of movies when I prefer colour to black and white).Ĭinematography is a key storytelling tool in John Schlesinger’s film adaptation of Thomas Hardy’s 19th century romantic novel. With its scenery blanketed in changing leaves, the musky smell of rain, the golden afternoon glow and the tweed jackets, autumn is a season that also lends itself to captivating storytelling, timeless style and gorgeous cinematography. But there is also the calmness and comfort of settling into a routine, the back-to-school feeling, and the long, quiet evenings spent at home as the days are drawing in that I love just as much in the fall. The weather cools, the roads are empty, and the spectacle of the fall foliage makes any drive even more attractive.

There is no other time like autumn for travelling, especially by car.

For more information on membership and to join online, visit our membership page.The show of the changing leaves, the preppy look, Ticket purchase includes same-day admission to the Museum (see gallery hours). (Members may contact with questions regarding online reservations.)

AUTUMN LEAVES MOVIE FREE

Tickets: $15 ($11 seniors and students / $9 youth (ages 3–17) / free for children under 3 and Museum members at the Film Lover and Kids Premium levels and above ). “ Autumn Leaves is a bold exploration of emotional archetypes and incestuous longings based on the chemistry between Crawford and Robertson, two actors of different generations who bring out the best in each other.” The screening will be followed by a book signing in the Museum Store. “In this rich and very unsettling melodrama directed by Robert Aldrich, Joan Crawford is cast rewardingly against type as Millicent Wetherby, a prim, middle-aged typist from New England who slowly lets her guard down and falls in love with the much younger Burt Hanson (Cliff Robertson),” writes Callahan. Callahan will introduce this screening of his favorite film, Autumn Leaves. His latest book, The Art of American Screen Acting, 1912-1960, explores the work of Hollywood’s greatest actors. Dan Callahan, who has written books about Barbara Stanwyck and Vanessa Redgrave, is one of the most insightful writers on the craft of screen acting. With Joan Crawford, Cliff Robertson, Vera Miles, Lorne Greene. Introduced by Dan Callahan, author of The Art of American Screen Acting, 1912-1960ĭir.

Autumn leaves movie